movies like the town
The Town, Ben Affleck's crime saga from the Boston area, turns ten this yr. Our 14 other recommended films for those who liked this Irish gaelic-American crime-drama classic take been selected in honor of its theatrical release. All of these films have stiff thematic and stylistic ties, which can be grouped together under the broad umbrella terms of "heist" or "crime movie," regardless of whether they are gear up in Boston or not. I'll get right to information technology now.
i. Point Break
Point Break, starring Keanu Reeves as FBI rookie Johnny Utah who goes undercover among a group of surfers suspected of a series of banking company robberies in Southern California, is easily i of the most quotable and hilariously overacted movies of the '90s. Utah is captivated past Bodhi, the de facto leader of the surf crew, who espouses and practices a pseudo-philosophy played with unbridled enthusiasm by Patrick Swayze. For Kathryn Bigelow, this was one of her debut films as a director who excels at fast-paced action, tense set pieces with a lot of stunt work, and male archetypes who can't go enough of the side by side thrill, no matter how dangerous it may exist.
two. Heat
We'll move on to 1 of the decade's most influential and well-known films with Next. If y'all've seen The Town and are a fan of crime dramas and heist films, you've probably seen Estrus a few times already. One of the nearly notable things about this film is how influential it has been in moving-picture show and television to this twenty-four hours (has whatsoever one scene, the botched depository financial institution heist, been more frequently referenced in staging shoot-out sequences?). Nothing about this film has anile, and it nevertheless has the same sense of excitement, thrill, and groundbreakingness that it did when information technology was released 25 years agone.
If there were any redeeming qualities to this film, information technology would be that Al Pacino played LAPD Detective Vincent Hanna, who pursues Robert De Niro's primary thief Neil McCauly. Equally directed by crime-motion-picture show auteur Michael Mann, withal, this blatantly by-the-volume tale of cops and crooks transforms into a sprawling, ascetic, high-octane — even so securely intimate, moody and atmospheric —picture about people's interconnectedness and the psychological effects of their choices in life. Despite being on opposite sides of the law, these two men are leap together by an intangible strength that tin just exist described every bit mutual respect.
3. L.A. Confidential
The next particular on our wish list is a vintage 90s piece. L.A. Confidential takes an episodic look at crime in Los Angeles in the mid-1950s, focusing on the intersections of law enforcement, the criminal justice arrangement, glory culture, and the media. Curtis Hanson tells a tangled tale of abuse, lust, and violence, all set confronting the backdrop of the American media-industrial circuitous's growing interest in true crime and police work.
Information technology begins with Edmund Exley (Guy Pearce), a well-dressed LAPD sergeant who agrees to bear witness against his young man officers in commutation for a promotion. Every bit a result, he'south at odds with his colleagues, especially tough-equally-nails cop Bud White (Russel Crowe). Kim Bassinger'due south Lynn Bracken, a high-terminate prostitute and possible key witness in a mysterious café massacre in which White'south ex-partner has been murdered, becomes involved with White later in the moving-picture show.
A smarmy drug officer played past Kevin Spacey, Sergeant Jack Vincennes, works for Telly networks and tabloid magazines as an insider, framing and busting high-profile public figures involved in scandalous acts of behavior. As a effect of this, the film, based on a James Ellroy novel, delivers a taut, tightly wound noir thriller that delves into the seedy underbelly of 1950s Los Angeles.
4. Mystic River
Every bit we enter the new millennium, we have Clint Eastwood'due south Mystic River as our starting time selection. This is one of the most depressing films of the century so far, dealing with issues such as babyhood trauma, sexual abuse, murder, expose, and vengeance as well as other dark themes.
A motorcar pulls up with two men in it and steals Dave away from Jimmy, Sean, and Dave, iii childhood friends from Boston. Some time later on, Dave (perfectly played by Tim Robbins as an insular, fractured man) learns that he was sexually abused by the men who kidnapped him and struggles with his trauma when he is implicated in the death of Jimmy's teenage daughter Katie. As a quondam con, Jimmy (Sean Penn) is now a detective with the Massachusetts State Police and is pursuing his own investigation into the murder while Sean (Kevin Bacon) closes in on the truth.
Because of this, Clint Eastwood chose a common cold, ominous color scheme, with muted blue-gray tones and hard shadowy dark exteriors, to go with the film'south somber subject affair. This film solidified Clint's position every bit one of the world'south leading filmmakers and demonstrated that he was a studio-filmmaker who was not afraid to delve into the more sinister aspects of man nature.
5. Layer Block
Layer Block, Matthew Vaughn'due south spirited take on the British gangster film, is the adjacent entry in the serial. Before making his directorial debut, Vaughn worked as a producer on Guy Ritchie'southward blockbusters Lock, Stock and Two Smoking Barrels and Snatch.
A slightly more polished and less tongue in cheek activeness-crime movie set in London, Vaughn proved himself every bit a worthy successor to Guy Ritchie's hyper-kinetic comedic rough and tumble way with Layer Cake. Equally an unnamed cocaine trafficker who runs a tight transport and avoids getting involved in the dirty business, Daniel Craig, in his first major leading role, plays a stern figure. His boss, Jimmy, summons him simply equally he'due south about to leave for retirement and tells him he must oversee the sale of one million ecstasy tablets from a lowlife criminal, which he soon discovers had stolen the ecstasy from a gang of Serbian war criminals. This is where we find him.
He must likewise look for Jimmy'southward daughter's drug-addicted friend Charlie, who has gone missing. With no choice but to comply, Craig'due south graphic symbol finds himself slipping deeper and deeper into the drug business he had spent his unabridged career trying to avoid. The picture relies on constructive storytelling, witty dialogue, roughshod violence, and a breakout performance from a young Daniel Craig before he became James Bond to brand it a success.
6. The Departed
The Departed, the next film in our lineup, is one of Scorsese'south finest works in his illustrious filmography, and it pairs beautifully with The Town. The film is an absolute masterclass in large-budget, star-powered gangster movies, regardless of the chorus of people who dispute the Oscars for awarding Scorsese the Best Directing statue every bit a belated cop-out for previous oversights (*ahem* Goodfellas *ahem*).
When information technology comes to actors, Jack Nicholson's operation as Irish mob boss Frank Costello in this film volition go down as one of the virtually memorable in moving-picture show history. In improver to cooperating with the Boston police, Costello has a mole in Colin Sullivan (Matt Damon), and an informant in the course of Billy Costigan (Leonardo DiCaprio) is slowly working his way up the ranks of Costello'southward organization.
Costigan grows increasingly suspicious that the police take their own double-crossing amanuensis as Costello grows increasingly convinced that his gang has a mole. Every bit a event, Sullivan is urged by Costigan to get later the mole. Bated from the motion picture's dual narrative construction (inspired by the acclaimed Hong Kong film Internal Affairs), the performances by the A-list cast, who collectively exude Boston dust and wit with such panache, brand this the definitive Boston crime-drama. Information technology's the best in the genre.
7. Inside Man
The side by side film on our list is Spike Lee'south opulent heist picture. This pic is a great match for The Town because it'south fast-paced and lighter in tone, but it's no less powerful or energizing for it. While still at the height of his powers, Spike expertly weaves together disparate themes and storylines into a single work of mainstream amusement that works as a whole.
While it is inspired by classic banking company heist films similar Dog Day Afternoon, information technology differs from those classics in that it is told primarily from the point of view of the police, in this case NYPD hostage negotiator Keith Frazier, played by Denzel Washington with suave confidence. Clive Owen'south mysterious and cunning Dalton Russell leads a band of bank robbery perpetrators as they concord upwards and kidnap the employees of a Manhattan bank owned past Arthur Case (Christopher Plummer), a tyrannical, stoic human who is doing everything in his power to hibernate a shady past.
Even though the movie is always one pace ahead of the audience, it accomplishes the nearly incommunicable by providing all of these things while as well incorporating a high stakes moral quandary at its core, all without ever seeming to exert much endeavor.
8. Lucky Number Slevin
Oft overshadowed by other slick-talking, fast-paced crime films such every bit Pulp Fiction, Snatch, or The Departed simply no less worthy of your attention if y'all are a true law-breaking movie enthusiast, Paul McGuigan'due south underrated gem from 2006 (what a year!).
Early-mid 2000s, Josh Hartnett showed promise as a major Hollywood leading actor, and it'due south a shame he never fully capitalized on this (hopefully things will change equally he's scheduled to announced in two major upcoming productions, almost chiefly Guy Ritchie's adjacent effort, Wrath of God). Hartnett embodied a rare trifecta of effortless poise, amuse, and charisma as the title character Slevin. Slevin is mistaken for his missing friend Nick by a couple of henchmen working for The Boss (Morgan Freeman), who, upon discovering him in Nick'south empty flat, tell him he must repay a massive gambling debt.
Alternatively, if Slevin agrees to kill the son of The Rabbi's rival, The Boss (Ben Kingsley), who he believes murdered his son, he will be relieved of his debt. The Rabbi'south henchman kidnaps Slevin subsequently he is freed and demands a large gambling debt from him. Later on that, y'all're treated to a well-crafted, tightly scripted thriller featuring big-name picture stars perfectly bandage in their roles, as well as a few surprises that volition keep y'all guessing until the very finish.
9. Gone Baby Gone
Gone Babe Gone, directed by Ben Affleck in his directorial debut, comes next. Adjusted from Dennis Lehane's book of the same name, which was the inspiration for the Mystic River novel on which the film was based, this archetype Boston crime-drama is a similarly depressing, unforgiving mystery thriller/portrait of people going through a crunch.
A three-year-old girl goes missing, and Individual Investigators Patrick (Casey Affleck, Ben'due south brother) and Angie (Michelle Monaghan), Patrick's partner/lover, are hired to find her. This film features Amy Ryan as Helene, the mother of the young girl. Helene is a drug aficionado who gets into some shady business dealings with her supplier. Amy Ryan was nominated for an Oscar for her performance.
Much like in Mystic River, the plot takes y'all downwardly one path earlier delivering a complete and full 180 degree plow. As a upshot, the flick portrays people who are at a crossroads in their lives who are trying to do the right affair despite their morally cryptic situation.
x. Takers
Takers, which came out the aforementioned twelvemonth as The Town, takes the top spot on our list for the year 2010. While The Town focuses on urban Boston grit, Takers is a swanky Los Angeles heist movie with high-wire set pieces and a lot of explosions, shootouts, and chase sequences that will entreatment to fans of glitzier heist films.
A former member of Gordon Cozier's crew, Ghost (rapper T.I. ), proposes a task that would set them all up for life: robbing an armored car carrying $12 million to the seasoned professional person Gordon Cozier (Idris Elba). Cops Jack Welles (Matt Dillon) and Eddie Hatcher (Eddie Hayes) are hot on their trail (Jay Hernandez). As the heist unfolds and the cops narrow in on the suspect, it becomes apparent that Ghost's motivations for the heist may non be what they seem. It's great if you're looking for some standard Hollywood activity fare that's exciting and easy to digest.
xi. Killing Them Softly
The Assassination of Jesse James by the Coward Robert Ford, in which managing director Andrew Dominik reunited with Brad Pitt afterwards his critically acclaimed but little-known masterpiece, is next on the list. A modern story about American idealism running its class replaces the old-fashioned setting and mythos of the American frontier.
During a mob-run illegal poker game in Boston, Pitt plays Jackie Cogan, a jaded hitman who is unusually talkative. He is hired to observe three low-level crooks who phase a robbery. A New York hitman, Mickey (James Gandolfini), has become a shell of his old cocky while serving parole and has taken upwards a life of heavy drinking and indulging in prostitutes earlier helping him find the three fugitives in Florida.
Taken from crime novelist George 5 Higgin's 1974 novel Cogan'due south Merchandise, this film is an ironic, violently chaotic cautionary tale set against the backdrop of a fiscal crisis in America, while simultaneously believing that a new beginning is but around the corner thanks to Barack Obama's election. The film follows ii hitmen, whose pessimism and disillusionment only grow as the story progresses.
12. The Drop
Dennis Lehane, the poet laureate of Boston'southward criminal offense fiction, makes his screenwriting debut with Animal Rescue, an adaptation of ane of his short stories from 2009 that shifts the activeness from Lehane'due south native Boston to Brooklyn. In The Drop, bluish-neckband workers become entangled in the criminal underworld of mobsters and murderers through no fault of their own.
A quiet, soft-spoken bartender named Bob Saginowski (Tom Hardy) works at a swoop bar in Brooklyn for his cousin Marv (James Gandolfini) and has a mysterious past. It was a long time ago that Marv handed over ownership of his bar to the Chechen mafia family unit that now uses it as "the drib"—a safe-house for illegal coin to exist collected—for their own do good. 2 masked assailants rob the bar they're working at i night while they're both drunk, and the Chechen mobsters threaten to hold them accountable if they don't pay upwardly. This is a well-made thriller with a surprising amount of centre and warmth hidden underneath all of the grit and machismo. Aside from that, it serves as a fitting sendoff for Gandolfini's brilliant career, equally this was his final performance before retiring.
13. Hell or High Water
The next film is David Mackenzie'south Hell or High Water, set in a Texan town scorched by the summertime sun. What could have been a blatant copy of No State for Old Men ended up being a surprise sleeper striking and one of the year's best films.
Ben Foster and Chris Pine star as a pair of banking concern robbers from Texas' Panhandle: Toby and Tanner. After their mother passed away from illness and the debt she took on for the ranch property through a reverse mortgage, they only target Texas Midlands Bank branches when they commit robberies.
Marcus Hamilton, an crumbling Texas Ranger (played to perfection past Jeff Bridges), and his close friend Alberto Parker are hot on their trail (played past underrated graphic symbol actor Gil Birmingham). Despite the film's reliance on standard Western tropes, it breathes new life into the genre thanks to its tight pacing, compelling characters, and elegiac, melancholy tone. Information technology's well worth seeing.
fourteen. Windows
We'll end with Widows, Steve McQueen's all-female heist moving picture that no ane saw coming. Best-selling writer Gillian Flynn wrote the screenplay, Academy Award-winning director Steve McQueen directed the film, and an all-star cast of established actors also equally newcomers played the lead roles, ensuring the moving-picture show would be a worldwide hitting. The pic succeeds in well-nigh every other style despite its disappointing box office performance.
Harry Rawlings (Liam Neeson) and his crew are gunned downwards by police after they endeavour a $ii meg bank robbery that goes horribly wrong. After the incident, Harry's widow, Veronica (Viola Davis), receives a threatening visit from crime dominate Jamal (Brian Tyree Henry), who has his sights set on a Southside Chicago political campaign.
Veronica recruits two other widows from Harry'south crew, Linda (Michelle Rodriguez) and Alice (Elizabeth Debicki), along with Linda'south bodyguard Bong (Cynthia Erivo), to carry out the heist themselves after discovering a set of detailed instructions laid out by her husband to rob the domicile of racist political leader Tom Mulligan (Robert Duvall), whose son Jake Mulligan (Colin Farrell) is running against Jamal in the municipal race. It'southward clear that McQueen cares near more than than just getting rich off of this one job.
He gives us a glimpse of life in southside Chicago and the racial disparities that give rise to characters like Jamal and Jatemme (Daniel Kaluuya). Rather than focusing on a heist for the sake of money or power, this film explores how a heist tin aid these women reclaim their identity and integrity, abandoning one of the genre's common tropes in the procedure.
Source: https://www.lunchbox-productions.com/movies-similar-to-the-town/
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